Pacifist sub commander defies orders, dies for peace. Reborn, he unites nations under holy message.

Civilization (1916), an ambitious production by Thomas H. Ince tackled the devastating realities of World War I through a fictional lens. While war films were common at the time, Civilization broke away from the celebratory mold.

Instead, the film presented a stark allegory for the futility of conflict. It depicted a fantastical kingdom fueled by a warmongering king, contrasting it with scenes of technological advancements and cultural beauty. This juxtaposition challenged audiences to consider the destructive nature of war set against the potential for human progress.

Civilization further experimented with form. It incorporated innovative special effects for grand battle sequences, yet also employed religious symbolism and a Christ-like figure to deliver its message of peace. This blend of spectacle and spiritual contemplation reflects the evolving nature of silent cinema, pushing the boundaries of storytelling.

Though not a commercial success, Civilization's daring exploration of war and peace secured its place as a pioneering experiment in film.