This 1912 silent film chronicles Jesus' life, birth to crucifixion.

Sidney Olcott's From the Manger to the Cross (1912) tells the familiar story of Jesus' life. Its ambition lies in the film's scale. Shot on location in Egypt and Palestine, it was one of the longest films produced at the time, utilizing hundreds of extras and vast sets.

This epic approach challenged the limitations of silent filmmaking. Intertitles displaying Bible verses offered context, but the narrative relied heavily on visual storytelling. The film explored the expressive potential of silent cinema through grand tableaux, emphasizing the power of gesture and scene composition to convey religious themes.

From the Manger to the Cross also experimented with the concept of historical realism. Filming in the Holy Land lent a sense of authenticity to the biblical narrative, pushing the boundaries of location shooting and setting a precedent for future religious epics.

While rooted in traditional storytelling, the film's size, visual emphasis, and location work position it as a bridge between early cinema's theatrical roots and the emerging possibilities of cinematic expression.