Mabel, secretly engaged to the boss's son, disguises herself as a chauffeur to spy on him.

Mabel's Blunder (1914), a silent comedy directed by and starring Mabel Normand, represented new a frontier in film. Normand's role behind the camera is significant. As a woman in a male-dominated industry, her directing credit makes the film a testament to artistic agency at a time when female filmmakers were rare.

The film's narrative structure is loose by contemporary standards. While a comedic plot exists, it serves more as a launching pad for physical humor and outrageous situations. This focus on comedic set pieces rather than a tightly woven story prefigures the focus on experimentation that would become a hallmark of avant-garde film movements.

Normand employs visual gags and slapstick to transcend language barriers. Mabel's Blunder could be enjoyed by audiences worldwide, a quality that would become increasingly important as cinema evolved into a global art form.

The film's playful energy and embrace of absurdity resonate with the spirit of experimental film. Mabel's Blunder doesn't take itself too seriously, paving the way for later movements that would challenge cinematic conventions and prioritize artistic expression.